Category Archives: Jane Dawson

Medicine out of Mole-Hairs in Jane Dawson’s Manuscript

By Ashley Gonzalez

Though all of Jane Dawson’s recipes are fascinating, perhaps one of the most curious ones involved the medical use of moles for hair loss and hair growth. This interest was noted by multiple people during the Fall EMROC transcribathon: 

Why this connection between moles and human hair? I decided to look a little deeper to see what I could find out. 

My transcription of the two mole-based recipes, which you can see on the manuscript page here, consists of the following:

to Expell haire in any part of the bodey

Take a mole & lay her in water to be soaked so long till, she shall have noe hair is Left on her; wththis water anoint [the] place from wchyou would expel [the] haire & afterwards wash it with Lye maid of Ashes, & then rub it with a linen cloth, if you shall see [the] haire retorne; wash twise or thrise in [the] aforesaid manner & it will [illegible] expel [them] & by noe means can be maid to renew againe. 

            To recover Haire in any part of the body

Take [the] blood of a mole & anoint the part; two or 3 times therewith that you wod have the haire to increase on; [the] blood being warme; as it comes from [the] mole being newly killed; it will wond[er]fully renew & bring hair to the admiration of all men (Dawson 21)

The first recipe implies a distinct link between the removal of the hair of the mole and the removal of human hair, which suggests that the recipe works according to the doctrine of sympathies. Connections such as these between the ailment and the cure for said ailment were common in the seventeenth century:

In the tradition of seventeenth-century herbalists … there was a sympathy between certain plants and certain ailments, or parts of the body, which could be recognized by its distinctive ‘signature’. Thus any herb which resembled the form of eyes, for example – such as eyebright, the scabious or the marigold – was said to be useful in the healing of eye complaints. Such connections were part of a complex web of correspondences and sympathies connecting macrocosm to microcosm. (Harrison 41)

If early modern herbalists connected the characteristics of ailments with the physical appearances of herbs, the same thinking might apply to animals. Just as herbs resembling eyes were said to treat blindness, so too might the hair of a creature be said to assist with ailments concerning the hair of humans.

Perhaps the most notable feature of a mole is its blindness. Edward Topsell in his 1658 book The History of Four-footed Beasts and Serpentsincludes a segment on moles in which the following visual can be found on page 388:

Though this illustration implies that moles have easily visible eyes, they would have been hidden under a layer of fur:

Muséum de Toulouse [CC BY-SA 4.0 (https://creativecommons.org/licenses/by-sa/4.0)] Talpa europaea MHNT

Despite the mole’s eyeless appearance, it seems to have been relatively well-known that moles possessed eyes underneath their fur, as evidenced in Topsell’s illustration. The fur covering the location of the eyes might have been viewed as excess. Thus, it follows that individuals wanting more hair might look to the mole to inspire their own hair growth. Similarly, the process of removing the mole’s hair could become associated with the removal of hair in general, resulting in a ritual wherein the human hair is “anoint[ed]” with the removed mole hair in hopes of stimulating the expulsion of excess hair.

As for the origin of Dawson’s recipes, one likely source is Topsell’s aforementioned book, which includes Dawson’s cure for excess hair almost word for word. The similarities suggest that Dawson directly came into contact with Topsell’s book herself or through a source that had copied from the book. Unlike the resemblance in the hair removal texts, the recipes concerning hair growth show significant differences. Topsell’s book utilizes the burnt skin of the mole rather than the blood: “For the renewing, and bringing againe of those haires which are fallen or decayed, take a mole and burne her whole in the skin […]” (Topsell, 502). This use of burnt skin may ultimately refer back to Dioscorides, who originally used porcupine and hedgehog skin in his recipes for hair growth. Though there are other differences in components, Topsell’s version keeps the idea of using a creature’s skin as a main ingredient.

Medicinal recipes are changed as they pass from one individual to another, with information being added, removed, or altered. It is therefore likely that Dawson’s curt recipe may have originally been a part of a longer one that was altered as time passed—perhaps passing through word-of-mouth, or being copied from an acquaintance or friend’s own personal medicinal cookbook. It is evident that Dawson pooled together knowledge from multiple people, suggesting that the medical care they could expect had a direct correlation to both the knowledge and the quantity of the people they knew. 

Interestingly, there is one source that includes both of Dawson’s recipes. Joannes Jonstonus’ 1678 book reads: “the [mole’s] blood brings hair … the water wherein a Mole hath been, and left hair, restores hair.” (Jonstonus 91). There is one crucial change from Dawson’s version: the fur of the mole is said to promote hair growth rather than hair loss. An intriguing dilemma would arise if an early modern person came into contact with these two recipes claiming opposing results.  Though the publication status of Jonstonus’ book would imply that it was Jonstonus’ version rather than Dawson’s that would have been in more frequent use, this would likely depend on a variety of factors, including the book’s distribution and popularity. 

Though an analysis of the mole recipes mentioned beforehand allows for a better understanding of Dawson’s own recipe, it should be noted that these recipes are likely only a fraction of early modern recipes concerning moles and hair. Numerous others exist, and further analysis of those versions could bring to light a more thorough and complete understanding of this unique remedy.

Works Cited

Dawson, Jane. Cookbook of Jane Dawson. Folger ms. Vb.14.

Harrison, Mark. “From Medical Astrology to Medical Astronomy: Sol-Lunar and Planetary Theories of Disease in British Medicine.” The British Journal for the History of Science,vol. 33, no. 1, Mar. 2000, pp. 25-48. JSTOR, https://www.jstor.org/stable/4028064

Jonstonus, Joannes. A description of the nature of four-footed beasts with their figures en[graven in brass] / written in Latin by Dr. John Johnston ; translated into English by J.P. Translated by J.P, Amsterdam, 1678. Early English Books Online, https://quod.lib.umich.edu/cgi/t/text/text-idx?c=eebo;idno=A46231.0001.001

Topsell, Edward. The History of Four-footed Beasts and Serpents. London, 1658. https://archive.org/details/historyoffourfoo00tops/page/388

Ashley Gonzalez recently graduated from The University of Akron, where she undertook this research in ENG 489: Disease in Literature.

What Wafers?

ingredients laid out for lemon wafers

These are not vanilla wafers. These are not chocolate wafers. These are, I learned as I read the recipe, a different type of sweet. Might Dawson have been using an alternative definition? The Oxford English Dictionary defines wafers as we would today, describing them as “light, crisp cakes” or, in religious contexts, the Eucharistic host (Wafer, 1.a, 2). Dawson’s wafers lack a crucial wafer ingredient: flour. My sous chef and I forged ahead undaunted, but aware that making candy without a thermometer is challenging. More challenging still was our very un-English weather in North Carolina: 78 degrees, 84 percent humidity, and a falling barometer predicting rain. In short, not great candy making weather.

A few things caught my eye as I re-read: removing the wafers from paper using water, and the utter lack of any guidance in terms of the amount of sugar or lemon juice to be used. In the era of parchment paper, Silpats, and any number of nonstick sprays prying items off the pan is generally evidence of our own lack of preparation. For early cooks, however, options likely would have been more limited. Wetting the “rong side” of the paper to release something on its surface seemed like a practical trick that could be applied in other projects. I took the lack of guidelines for amounts as the chance to cook just using my eyes and the feel of the ingredients as we scooped and stirred.

The sugar left me with just a comparison for guidance- “the thickness of hunny.” In the first attempt, I imagined this as runny honey: my first mistake. The ratio of liquid to sugar was far too high. I cooked the juice of a lemon with sugar combined to the “runny honey” consistency in a small, non-stick pan over medium heat on an electric stove. Since I didn’t consider that this might be referring to a butter mint-style candy wafer, I skipped immediately to candy cooked to the hard ball (read: very clear and crisp) state. It is impossible to make this type of candy without boiling the mixture, so after a quick check of the OED to be sure I wasn’t missing some past definition of boil, I chose to ignore that direction. Perhaps she meant not to let it scorch?

This first attempt was a failure, as with the low amount of sugar, the mixture was a thick syrup and would not harden.

Effort two used the same mix but with longer cooking, this time in a metal spoon over the heat (I took Dawson rather literally here, to my peril!). No crisping and still a syrupy mess.

I decided to massively increase the sugar to more of a crystalized honey texture.

Bingo. The third wafer, also made in the spoon, took on some color and had a toffee-like consistency on the paper. Progress. For the next one, I let it go much longer, taking on a distinct golden color. My hope was to judge it to be at the hard ball stage. It’s possible to do this by putting a bit of the mix into cold water to see if a firm ball forms, but I got a bit distracted at this stage and forgot to check. Instead, knowing it takes a while to reach the appropriate temperature, I just let it boil significantly longer, to good effect. The third wafer was truly a crisp caramel sheet, which could be bent and its paper support pinned to give it a curve. This fourth wafer was so nicely crystalized that it slipped rather easily off the parchment lining, though I did paint some water on the back to help it along. This strategy seems promising with sweet foods.

I’m struck, in retrospect, with how much making this recipe today relies on analogy. Because I didn’t have the wafer candy Lisa used as a referent, I ended up with only my knowledge of grain-based wafers to go on, which was completely unhelpful. Since so much is left to prior knowledge, finding the right contemporary model to bridge this lack of period knowledge was crucial. While what I made was edible, tasty even, I think I’d use Lisa’s technique were I to try them again!

Dawson Cooking in the Smith Household

Assistant number 1, reporting for service. She agreed to have the photos made public.

My assistant stood ready with the tools: the time had come to try the recipe for lemon wafers from Jane Dawson’s book. I opted to use my mother-in-law’s plate warmer and a ceramic bowl in place of the chafing dish and coals.

Interpreting the Recipe

When deciding how to intepret the recipe, I imagined the lemon wafer as a candy–what else could sugar and lemon juice be? But there was a lot of assumed knowledge in Dawon’s recipe. To prepare, I looked at similar candy recipes, such Fanny Farmer’s peppermints in Chafing Dish Possibilities (1914), and Frederick Nutt’s wafers in The Complete Confectioner (1807). I also consulted my mother, who–as a child–had regularly made candies with her mother. I hypothesised two things: (1) the paper in Dawson’s recipe was probably wafer paper, which was widely used in confectionary and medicines and easily purchasable in an early modern urban environment; (2) whatever her ambiguous language, Dawson was probably not holding the spoon over the chafing to cook the mixture, but rather using the spoon as a tool to check thickness and doneness.

Lemon squeezing.

Honey Thick

The assistant squeezed the lemon juice for half a lemon, which came to 2 tbsp. Unfortunately, there was an accidental overturn of the juice. The remaining lemon juice, plus the other half of the lemon came to 2 tbsp. Based on Fanny Farmer’s measurements, I guessed that about 6 tbsp of sugar would be needed. The mix, however, was nowhere near the thickness of raw honey. I added another, which seemed just about right. But as my back was turned, Assistant number 1–a honey connoisseur–took matters into her own hands and added an eighth. She was right: it was a much better honey thickness.

Let it be of the thickness of huney.

The Assistants Go Missing

By 9:30, it was time to start stirring. It went on for quite a while. Assistant number 1 disappeared under the table after stirring for a few minutes. She also snuck a taste and said it tasted like lemon sorbet. I snuck a taste and agreed. Assistant number 2 took over stirring for about 10 minutes, but grew bored. The assistants disappeared to read The Tiger Who Came to Tea. And I was left alone to the tedious stirring. And more tedious stirring. Every now and then, I observed that the sugar was a little more melted and the mixture a tiny bit thicker. I also decided that turning a bowl to stir was as much to keep me awake as it was to ensure even mixing. But it was a slow business; clearly the warming plate was not as hot as a chafing dish over coals. Dawson’s insistence to ‘let it not boil

The long stir.

Touch

And then about a half-hour into stirring, everything happened quickly! The mixture suddenly thickened. It was stiff, sticking to the spoon. On touching the spoon, it was ‘crisp on the side of the spoon’ — as in starting to solidify. It is less visible to the eye than it was to the touch.

Till it is crisp on the side of the spoon.

Making Wafers

For the next step, I had precut a couple squares of wafer paper. ‘4 Square’ was an early modern way of describing a rectangle with four equal sides (i.e. a square), but just in case the four was significant, I cut two pieces 4×4 inches. Although I used only half the recipe, there was too much in the bowl for only two pieces of paper. Assistant 2 was recruited back into action to cut similar sized pieces.

Things were chaotic at this point. Fanny Farmer notes that you need to work rapidly to drop the candies from the tip of the spoon onto buttered paper. Frederick Nutt does not mention speed, but describes putting spoonfuls onto the wafer papers and covering the sheets all over. As Assistant 2 sliced more papers, I tried to drop the wafers. The goal of spreading the mixture all over the paper was a bit optimistic, as the wafers hardened quickly once dropped.


When itt is melted Spred it on a paper out 4 Square.

Lessons learned:

  • Did I let it cook slightly too long?
  • Was I not working quickly enough?
  • Did I have too much in the spoon?

I suspect that it is a combination of them. There was too much in the spoon, as I had underestimated how quickly I’d need to spread it–and how far one spoonful would actually go. It is also possible that it remained too long on the heat when I stopped to take pictures of the crisping on the spoon!


then pin two Corners together that it may bend like other wafers

The next step was to pin two corners together to give the wafer some shape. Thinly spread wafers would be pretty, but mine were a bit chunky.

Dawson then instructs us to let the wafers dry. Many of Frederick Nutt’s recipes, however, call for the wafers to be put in a hot stove for a day to curl and to harden. I divided the wafers in half: half to dry naturally and half in a warm stove. Leaving the stove on all day is not an option for me, so I decided to treat three wafers like meringues. I thought this was probably a bad idea, being that the wafers are just sugar and juice. Still, I figured I could pull them out quickly when needed.

Assistant 1, however, required some immediate attention. By the time I made it back to the stove, the kitchen smelled delicious, but all that remained of the wafers was a pile of toffee-esque goo. There were at least three remaining. By 1:00 p.m., they were already hardening, but the bottoms were still a bit soft. When lightly shifting the paper, it looked like a lot of wafer was sticking.

Some of the dissolving paper.

Dawon’s final instruction was to ‘wett th​e​ rong side of the papers with watter’ to remove the paper. With wafer paper, this works very well. Sponging the paper helps to dissolve it or at least loosen it from the wafer, ensuring that the wafers (with luck) retain their shape!

The results!

But what would you eat these with? They taste a bit like the fizzy sour sugar on gummies, or (as Assistant 1 put it) candied pineapple. Food historian Ivan Day discusses wafers in ‘The Art of Confectionery’ (http://www.historicfood.com/TheArtofConfectionery.pdf), suggesting that they were likely intended to be served with ices (p. 26)–which sounds like a fine flavour pairing! We’ll be having ours with strawberry ice cream.

Conclusions

This recipe, which can be done with a small, portable heat source is a great one for the classroom–or as Hillary Nunn put it on Twitter, ‘Dorm-room Dawson’. Students can discuss the significance of producing a small quantity using a small heat source; the method of production certainly fits with Amanda Herbert’s description of women using moveable candy stoves to make small amounts of confectionary in their bedrooms (pp. 83-84).  From start to finish, one batch could be made within an hour–even if it would not be ready for tasting that day.

The recipe also depends on assumed knowledge. Perhaps it could be done by holding one spoon at a time over the heat, but it would be time-consuming–and stirring plays an important role in similar confectionary recipes. Dawson’s insistence to ‘let it not boyle’ also doesn’t make much sense for a single spoon, but does when dealing with an entire bowl. For the paper, I would strongly advise using wafer-paper, which was commonly used for confectionary and dissolves with water, which is important when dealing with delicate wafers. At the very least, buttered greaseproof paper to prevent sticking might be a reasonable substitute, especially if you decided to make small wafers more akin to flat candies.

The sensory and measurement aspects of the recipe are also intriguing. What is the thickness of honey? How warm is a chafing dish of coals? What is crisp on the side of the spoon? Using water to remove the paper also makes a lot more sense when you work with wafer paper, which dissolves, unlike other types of paper. When it comes to measurement, paper size is also important. 4×4 inches is about right–anything larger will create a much larger wafer that falls apart easily and anything too small will make a stubby candy. Dawson is also specific in how to wrap the wafer: pin the two corners together, not sides.

Without filling in the gaps of assumed knowledge, Dawson’s recipe would be very difficult to follow. The results were also mixed. In my mind’s eye, I envisioned a thin, crispy wafer, curled at the edges. That was the one that broke most easily when removing the paper. Fortunately, even broken wafers can also serve a useful purpose as ice cream topping! The smaller (or even broken) wafers, also suit the modern palate better, as the sugar can be overpowering. They are not beautiful, but the small ones are easier to handle and hold their shape best.

Would I make them again? Definitely! I’d cook it on the stove top at home the next time, but the recipe’s portability makes it a useful one for classroom demonstration. It is an easy taste of the past to sample and would be especially fine during summer. Assistant number 1, in any case, has already asked to have them again.

Modified Instructions

Take the juice of half a lemon (2 tbsp) and add to it 8 tbsp of sugar. It should be the thickness of raw honey. Mix together over a heat source. Keep stirring, but do not let it boil. After a while, it will begin to thicken and stick to the spoon. It should be on the verge of becoming solid and will be clumpy. And it will, if you touch the side of the spoon, even feel slightly crispy!  Work quickly to drop the mixture on the papers. Fold corner to corner, so it looks like a taco shell inside. Pin together. Let set.

If using very low heat, such as a plate warmer, it will take more time to cook–perhaps half an hour. It will go very quickly on a stove top.

If half a lemon makes at least six thicker wafers (two good-sized and four smaller ones), I would expect a yield of at least twelve for the full recipe–especially if the wafers were spread a bit more thinly. Have at least twenty pieces of 4×4 inch paper ready, just in case it yields more.

Jane Dawson Cook-Along

During the transcribathon, the Medical Heritage Library came up with a genius idea: would we do a Jane Dawson Cook Along? The answer to that is a resounding YES!

So, here’s what we’re going to do. Over the next week (22-30 September), some members of the EMROC Steering Committee will try out this recipe for Lemon Wafers.

Take duble refined Suger beatt & dryed & sifted and mix with
it Juce of a lemmon let it be of the thickness of huney & take some
of it in a Spoone & heatd it over a chafin-dish of coles till it be
crisp on th​e​ side of the spoone let it not boyle: when itt is melted
Spred it on a paper out 4 Square: & then pin two Corners together
that it may bend like other wafers; & so lett it dry when you take
them of wett th​e​ rong side of the papers with watter

Jane Dawson, V.b.14, p. 47.

Our assignment will be to take notes of how we decide to interpret the recipe, the ingredients we select, the modern tools we use, the weather conditions (temperature, wind, barometric pressure), the altitude… and anything else that might be relevant in how our recipe turns out. We’ll also taste test (of course!). You can follow our experiments on Twitter as we do them (#EMROCcooks), though we’ll also do an easy-to-read round-up for you afterwards.

Would you like to be involved in the Jane Dawson Cook Along?

We’d LOVE for you to join in. There are three ways to participate in our cook along over the next week:

  • try the same recipe for lemon wafers;
  • test out another one of Dawson’s recipes that intrigues you (full book here);
  • join in the discussion of the EMROC community’s cooking experiments.

Let us know about your kitchen project on Twitter, Instagram, Facebook, blog comments, or e-mail (lisa.smith@essex.ac.uk). Our hashtag for all Dawson Cook-Along projects will be #EMROCcooks.

We can’t wait to see what you cook up!